I bet at some point you’ve wondered what it would be like if your music was in a film, TV show, game or advert. In the music industry, when music is played in film, TV, games, adverts and more, it’s called synchronisation (or sync for short).
Synchronisation is quite literally the synchronisation of music to visual media. For anyone new to the world of sync licensing, it can be quite confusing and challenging. This is why our friends at Music Gateway have created a guide and list of tips to help you navigate and understand the profitable world of sync.
So What Exactly Are The Benefits Of Sync?
A huge part of any video project is the music that is used for it. The right soundtrack can make or break a show, and there are many movie soundtracks that are as famous, if not more, than the film it was featured in. For this reason, having your music synced can be great for your music career. It is a great way to expose your music to a greater audience, and in doing so, help you build your fanbase.
Not only that, it can be a great form of revenue, both in the form of royalties and sync fees! The sync fee is a one-off, upfront payment for the license to use your music in visual media. This can be anywhere from 50 up to hundreds of thousands of euros/pounds/dollars, or sometimes even more, depending on the license.
Then on top of that, you’ll usually get royalties as well. Royalties can come from a TV show being broadcast, a film being released on DVD, and many more. You’ll get royalties from the moment the visual media is released until potentially years into the future. Imagine if you get a sync in an episode of a successful TV show that has reruns on TV for years and years. You’ll get royalties every time that episode is aired and possibly even used elsewhere!
Now we know talking about ‘exposure’ is perhaps a bit of a touchy subject. However, the exposure you can get from landing a sync placement is too important not to mention. Many artists and bands have gained a massive amount of exposure and seen a growth in fanbase through having their music synced. Who’s to say you won’t be next?
How Does Sync Licensing Work?
So now you know why sync could really benefit you and hopefully at this point you’re excited to get involved. So, let’s have a look at how it actually works.
The people who work on any video project need to find music that perfectly matches the project and specifically the scenes within it. The person usually in charge of doing this is called a music supervisor, typically working at film production services.
The most common process for sync licensing starts with the supervisor, who will have a brief of what they’re looking for. They’ll send this out to their contacts in order to find the perfect piece of music. Music supervisors don’t generally tend to source music from individual artists and instead prefer to work with trusted sources. These ‘trusted sources’ are usually record labels, publishers and sync agents. These sources find tracks in their catalogue that match the project and send them back to the music supervisor. After this, the supervisor (often together with the director) will pick the tracks that best fit the project and move onto the process of clearing the rights to license the music.
How Do You Get Involved?
If you have a publishing and/or record deal, your publisher or record label should be representing your music for sync opportunities. Check your contract with them to see if sync is included in your deal.
If you’re independent and want to stay independent then you might want to work with a sync agent! A sync agent’s entire job is about representing you for any relevant sync opportunities. As that’s what they specialise in, they are often more likely to have good relationships with supervisors and have more time to focus on sync. Hopefully, this means that they would also find you more opportunities.
You could also try to break into the sync world by yourself, however you’ll have to do a lot of research. You’ll need to find out who’s working as a supervisor and try to meet them, or try to find some networking events where you know there will be supervisors or independent filmmakers. Then you’ll need to build a strong relationship with them.
Unfortunately, however, as mentioned above, most supervisors don’t tend to use individuals as sources when searching for music. Plus, you’ll spend a lot of time meeting people, building relationships and keeping in the loop. This obviously leaves you less time to be doing what you do best, making music and being creative!
As you may be able to imagine, the world of sync licensing is a very competitive one. So how can you get your foot in the door and stand out from the crowd?
Here are our top seven tips to increase your chances of getting your music synced:
- Send finished tracks. You’re probably well aware of the need to have a fully polished track that you can use. This is especially important in sync. The sync world is very fast-paced, so it’s vital that you have all your tracks mixed and mastered to a professional standard before you pitch them to a brief.
- Get your metadata straight! Metadata is one of the least understood yet most important tools that will help get your music licensed for film, TV and more. Metadata is information that is embedded in the music file. This information allows the supervisor to search for your music and see important information. You should add information such as the track name, artist name, genre, bpm and most importantly who owns the rights with their contact details. Knowing who owns the rights to your music is vital for supervisors, as they’ll need this in order to get in touch and get a license.
- One rights holder for both the publishing and master rights. Supervisors mostly pick tracks with rights that are easy to clear. This is a no-brainer for them, it just saves them a lot of time (which they don’t have much of!). A one-stop track means that only one person owns all rights to a track. If your music is one-stop, that also greatly increases your chances of getting a sync because it makes the music supervisor’s job a lot quicker and easier.
- Have an instrumental version. Sometimes, the music supervisor will really like your track but they might need an instrumental version. Briefs will quite often say whether a track needs to be instrumental (usually so that it fits with the scene). By making sure that you have an instrumental version of all of your tracks, you’re opening your music up to more opportunities.
- Have the stems. It’s important to be flexible, and not just with instrumentals. You’ll want to make sure that you can provide different versions of your track if necessary. For example, sometimes a supervisor might need an extended version for a longer scene. They might even want to change certain parts of the track, such as removing a certain instrument or tweaking the mix. In order for this to be possible, you need to make sure that you get all the stems during the production process. You’re increasing your chances by making your music more flexible and so, easier to pair with a scene or project. Plus, we’d always recommend getting your stems anyway so you can do remixes and other projects!
- Get sync representation. As we’ve already mentioned, the supervisors will often send their brief to record labels, publishers and sync agents. So if you don’t already have a record and/or publishing deal, you’ll want to have your music represented by an agent.
- Send relevant music. If you are submitting your music in some way, you need to make sure that your song is relevant. You have to read the brief carefully and make sure that you are submitting something that matches their needs. Otherwise, it can get quite frustrating for them and they might not consider you for future projects.
Get Started In Sync Today
Do you already have high-quality tracks that you want to pitch towards sync projects and do you want to get started? Manage all of your music and add metadata all in one place with Music Gateway, as well as get sync representation through their Sync Portal. Or keep an eye out on their marketplace for new opportunities on a near-daily basis!
Music Gateway’s free trial is 14 days with no strings attached, so what’s stopping you?
Find more music industry tips here.
Really useful information, me and my band have been looking at doing this for a while!
Very knowledgeable write up. Thank you for keep things concise enough that it’s easy to follow, yet thurough so I actually feel I’ve learned a few things about the process of synching my music, what types of people I’ll need to be in contact with, and the level of work it requires. Thank you
This is all really solid information. As someone who is new to sync licensing, this gave me a strong foundation on the subject. I really like the idea of having an instrumental version of the song on hand to expand the realm of possibilities. Thanks for the knowledge
Really informative! Knew quite a bit already but this is in a really easy to understand format! Great job!
This helped me fully understand the type of data my band is receiving as we begin to promote ourselves! Thank you!
Thanks heaps for this!
Thanks heaps for this!!!
informative thanku !!
I’m just about to get in to sync licensing, and this article has given me another lead to follow. Interesting write up with some useful next steps outlined, thank you!
These are awesome tip!!
Super useful for musicians looking to break into this!
Hi Mary, Amazing information! I knew about sync licensing for a long time. But, I didn’t know how to get involved and stand out from the competition. this blog is really important for me. Thank you so much!
As a sound producer I have always been dividing two ways of music production – for me as an Artist, and for Licensing/Money. Right now I think we have reached the times when everything can be easily combined and no one can predict where exactly your tracks can start earning you money or gaining you fame. So I am working under one and the same artist name whether I write for films or release original singles and albums. Thank you for this info, the more I learn the better I am
Very helpful information. Thx!
Super informative. Thanks for sharing 🙂
This was super valuable to me… It’s something that I’ve been desperately trying to get into – especially as movies are where my main influences come from in the first place – but i’ve never had any idea about how to go bout it so thank you for the kickstart knowledge!
Really insightful and helpful article.
Thanks Great advice
As a musician, I have one certain dream. And that dream is hear my music in a movie or tv shows.
Super appreciated the Intro to Sync Licensing (Mary Woodcock) – all good info – especially the advice to seek out a sync agent and making sure there’s 1 person who is the rights holder to both the publishing and master rights.
Very interesting article with useful tips!
thanks for the info!
Great info. I’ve been looking to get sync deals for awhile and this was a really helpful article.
I have always wanted to know more about this subject. Thank you so much for this!
Great article and thank you for posting this.
I learnt a few new things about the world of sync music reading this!
This is such a useful article. I’ll definitely be referring back to it.
Really useful information. Thanks a lot! We will definitely try out Music Gateway to manage our release.
Couldn’t have explained it better myself!
Couldn”t have explained it better!
Very useful and informative article! Will def save this one, been wanting to explore the possibilities of getting my music out for use in some indie productions.
Really great read. I didn’t fully understand how important a sync agent was until now. Gonna check out Music Gateway. Thank you for all of the great info!!
Thank you so much for this!
Helpful, been looking into this stuff recently!